You do not have to try
Going back to the flash fiction example again,
“An inattentive, transient jackass says, – “Check it” – high-pitched, estrogenic sound awkwardly steam from thick, too-big lips covering precarious tan teeth. Mirrored sunglasses sterilize eyes plunging transgressor back to fatigued, faded skin, unkempt hair – a brain of questions, comments, demands, justifications – stayed verbally, exposed physically – “Is there a problem?” Pigments, parchments, binding, images relapse then release ribbed steel, scuffed plastic, relabeled boxes reskinned with tape, twine, and plastic that meld into a horizontal borough in motion, eclectic and naïve to the pigment of deities” (Miller, 2012).
In flash fiction it is
A reader holds a vast store of knowledge, experiences and memories that are uniquely networked to create a neural lattice-like topography of concept associations in their brain. Many traditional narrative pieces of fiction will introduce a concept within a certain situation, with a certain type of character(s). Then the story will move the reader systematically or connection by connection (association by association) through the narrative arch of the story, all the while providing the reader with the necessary information from which to recreate the reality of the story, the plot, within their brain.